

Spanking ...
Not really what I was expecting or hoping for
"Spanking" gets a "glowing" review from me...

Super
Six Years With the Texas Rangers, 1875 to 1881
An authentic, exciting slice of frontier life

Valuable, but...Informed readers should be ready for some double-takes... and disappointments.
1. Stankovic's grasp of the Bosnian situation is simplistic and at times woefully ignorant. He declares that there was no separate "Muslim" ethnicity in Bosnia until the Western media created it, showing his ignorance of a crucial factor behind the Bosnian wars: the 1974 Consitution and Muslims-as-consituent-nationality issue. He recounts "rescuing" Sarajevans by "slipping" them out in official vehicles, clueless that he and other well-meaning UN personnel were doing the belligerents' ethnic cleansing for them ...and strengthening the Bosnian Serb hand. Perhaps most shockingly, he takes as gospel the Serbs' good faith behind an early "offer" to yield territory later for a cease-fire today. ...Stankevic slams the international community for not jumping on this supposed perfect opportunity.
2. .... His boss General Rose can do no wrong: even Rose's most naive and disastrous moves are depicted with something approaching hero worship. To Stankevic, it's unfailingly "us" (U.N., Britain, Rose) good, "them" (NATO, America, Wesley Clark) bad...Prepare for plenty of adolescent swagger and sneer.... Stankevic simply cannot separate himself from his subject. Any personal angle changes everything. He calls the thoughtful and respected U.S. ambassador John Menzies a "pro-Muslim fanatic," offering no reason for this intriguing characterisation except that Menzies apparently once questioned his judgement. Though he derides the idea that his Serb ancestry affected the performance of his duties, and indeed can criticise the Bosnian Serbs, he appears incapable of ever viewing the Muslim leadership with anything but cold suspicion or painting Izetbegovic et al in any but the most sinister colours.
4. Okay, it's a sideshow, but I for one would like to know the rest of the story behind his arrest. His introduction leaves him in a jail cell from which we never see him released. Was he ever exonerated? Fined? Sentenced? We're never given the opportunity to judge whether his detainment made any sense. We're simply to take his word that it was a trumped-up load of bureaucratic hysteria.
So if you're a subject expert, buy the book. You'll be able to make sense of what Stankevic witnessed, even if he obviously can't. If you're new to the Bosnian conflict, look elsewhere.
Another glorious failure
An insight into the day-to-day reality of the war in BiHThis is no "advocacy" literary piece. There are no sentimental biases or hidden agendas - it's so refreshing to read something which just sticks to the facts and tells the story as it is. As an Australian of part Serbian heritage I totally understood the "mentality" that Stankovic tried to convey, he did it so well, but unfortunatly I think this "mentality" is so foreign to your average westerner that a lot of the true gems of this book would be lost on them. Nonetheless, Stankovic has attempted to articulate it, and once you understand this "mentality" that drives the people of the Balkans, you will start to see why this war happened. That is not to justify the horrors of the last ten years in any way, shape or form - but I feel that this innate understanding of the "mentality" is what is perhaps lacking from most books on the subject.
It's a great read. Stankovic has portrayed the nitty gritty reality of the war in Bosnia, and provides an insight into the lives of the "little people" and the behind-the-scenes players that we otherwise never hear about because it's not newsworthy enough, or won't fit into someone's colour-by-numbers view of what is going over there... Or quite simply does not suit whoever's agenda.
This book is an important read for anyone with a serious interest in recent Balkan history. After being falsely slapped with charges of espionage and his military career in tatters, Stankovic has written a probably the best and most important book on the Bosnian war. Put it at the top of your reading list.


hit and missIntroduction by Elizabeth ten Grotenhuis
1. Conversation with Yo-Yo Ma by Ted Levin [music]
2. Melodic Migration in NW China by Bright Sheng [music]
3. Fashioned from Fiber by Elizabeth Barber [textiles]
4. Astrology and a Japanese Star Mandala by Elizabeth ten Grotenhuis [astrology]
5. Sacred Sites along the Silk Road by Kenro Izu [photography]
6. Traveling Technologies by Merton C. Flemings [metallurgy]
7. Iranian Cinema by Hamid Naficy [film]
As the table of contents shows, this introductory work is rather a mixed bag in both quality and content, much of it originally published elsewhere in longer form. Hits include the pieces on music, textiles and metallurgy. The piece on astrology probably won't find a general audience and the pop art chapter on Iranian film seems oddly out of sync with the rest. Photos and illustrations are good. Text is a double-spaced 144 pages with fairly wide margins. There are irritations such as the p. 42 suggestion identifying the ancient Xiong Nu as ancestors of modern Hungarians that show outside review was needed (the common blunder of confusing Huns and the similar sounding Hungarians). Bright Sheng's piece discusses White Mongols and Yellow Mongols without really explaining the terms and one has to wonder why we have the music composer writing about history. Elizabeth Barber's piece shows the influence of the theories of Victor Mair, with whom she has worked. These theories of ancient Iranian influence on China (what Mair terms the "East Asian heartland") are not so universally accepted as the text suggests, or, at least, not everyone discusses them as much as does Mair. One gets the feeling that the book was thrown together fairly quickly and haphazardly in order to have merchandise to sell at the concerts of Yo-Yo Ma's worldwide Silk Road tour. In these circumstances it was probably too much to hope that it would have the same excellent quality as the tour itself.
Trading Cultures19th-century German explorer Baron Ferdinand von Richthofen thought up the term Silk Road. But the road was much older than that, at its busiest from about 2,200 years ago, until about 600 years ago. It was kept up, for farflung trade in carved ivory cosmetic boxes, cotton, gems, gold ornaments, horses, incense, jade, lacquer ware, linens, Roman glass, silk, spices, tea and woolens. But it also was a way for culture and know-how to be swapped. For example, from the east westward, the road spread knowing how to smelt metal and make cast iron, glass, gunpowder and steel.
Particularly sections on cultural trading in music I found most interesting. Sometimes it's not obvious why we need to know history. But in this case it's long ago, but not long gone. Ancient musical influences still are seen today. For example, qin opera in Shaanxi province has happy tunes, which is common in Chinese music. But it also has sorrowful tunes, which isn't common. They're based on a scale of 8 pitches in the octave. They're also sung in a shouting style. Neither's common in Chinese music. But both are, in the music of Central Asia, where they came from during Silk Road times.
ALONG THE SILK ROAD also brought up a musical mystery. The first town at which east-bound Silk Road travelers stopped inside China was Dunhuang. There, merchants, pilgrims and traders built Buddhist temples inside the rock, in the Mogao caves, about 1,400-1,500 years ago. They also had painted about 45,000 wall paintings. Many dealt with the Western Pure Land, the supposed source of all good music. So some even had music scores, in ancient notation. Modern music scholars feel they know the pitches. They don't agree on rhythm and meter.
However, the money needed for further research may be out there. In 1998 world-famous cellist Yo-Yo Ma founded the Silk Road Project, Inc. The project's a nonprofit foundation to help artists nowadays in Silk Road lands. It's most known, since winter 2001, for paying for music works played in concerts and festivals around the world.
Elizabeth Ten Grotenhuis has edited a clear, nicely illustrated book. She sets the stage for the more in-depth CAVE TEMPLES OF MOGAO by Roderick Whitfield. Her sections on music are invaluable for THE HUNDRED THOUSAND FOOLS OF GOD: MUSICAL TRAVELS IN CENTRAL ASIA by Theodore Levin and CARAVAN TO AMERICA: LIVING ARTS OF THE SILK ROAD by John S Major and Betty J Belanus.


Beautifully rendered take on Shaw's Pygmalion
Beautiful, but expensive

Swindle!
Pricey, but worth it.I think Jack London is at his best in his short stories. NONE of his novels are QUITE first-rate, and as you explore beyond the famous ones the quality falls off rapidly. Most of his less-well-known novels are deservedly forgotten. ("The Little Lady of the Big Hous e-- EEeeeeeewwwww!")
This is not true of his stories. When you explore beyond the couple of dozen that are anthologized, you discover treasures. I am finding that many of the stories I don't know are every bit as good as those I know.
One of my recent "discoveries" is a story entitled "The Banks of the Sacramento." It's not deep, it's not portentous, it's not Great Literature--it's just a superbly constructed little gem of a suspense story* that concerns a fourteen-year-old boy who conducts a daring rescue of--well, read it. Aloud, in company, if possible.
There are, as you'd expect, some curiosities, some juvenalia, some outright bad stories, but not enough to dilute the collection. And of course even these have their interest. "The Handsome Cabin Boy" is not a very good story, but it certainly is another piece in the puzzle of Jack London's sexuality.
Look, if you've bought more than three collections of Jack London stories, you know you're going to buy them all eventually--so why mess around?
These are, as you'd darn well expect at the price, nicely printed, sturdy volumes. They are intended for, and meet, both the needs of general readers and scholars seeking accurate texts. One annoying peculiarity is that an alphabetical list of story titles appears only at the end of the third volume.
These volumes are, alas, priced on the self-fulfilling assumption that they will be bought only by libraries, and your library is probably where you will go for them. (Interlibrary loans are a wonderful thing; be sure to ask about them if your library does not have these volumes). .... END


It's an OK movie
A Brilliant Look at A Complex Man

Manara's best work - pieces of astounding beauty: & crap
I like MANARA's incredible world

cool
An excellent guide to the basic principles of soil science

A good starting place
Demystifying Atlantic salmon fishing
the most complete book on the subjectA must for advanced and beginners !